Fonds documents Charles Ferdinand Martin's activities during his career at McGill University. The fonds contains correspondence, newspaper clippings, manuscript and typescript addresses.
Fonds contains manuscript musical scores of Harriss' compositions: pieces for the keyboard, some orchestral works, organ music, part-songs and lieder, religious vocal music and patriotic songs. The rest of the fonds comprises a small amount of correspondence, much of it about the Imperial choir (1910), a photocopy of an autobiography covering the period 1862-1885, photographs of Harriss conducting Empire Day concerts (approximately 1920), and programs, 1890, 1924.
Harriss, Charles A. E. (Charles Albert Edwin), 1862-1929
This fonds comprises of the research work of C.A. Brodie-Brockwell. It consists of unpublished manuscripts and notes on early Mediterranean cultures and civilisation, pre-Christian Hebrew, Semitic and Arabian culture, as well as investigations into early calendars and methods of counting (boxes 1- 6, and box 7, files 1-8, 10). Other files include: hand-drawn maps of peoples of Europe in different times (box 7, file 9); lecture named “A New Interpretation of the Parable of the So-Called Unjust Steward” (box 7, file 11); correspondence (box7, file 12); dictionary notebook (box 7, File 13).
The binders with manuscripts are arranged by subjects, discerned from their titles and content.
Fonds consists of a printed copy of Babbage's autobiographical Passages from the Life of a Philosopher (1864) interleaved with his letters, 1804-1847, from contemporary scientists, including John Dalton, Michael Faraday, Hans Christian Oersted, Sir George Biddell Airy, Isambard Kingdom Brunel, Sir Richard Owen, and H. F. Talbot.
The fonds contains drawings for six projects (18 originals and 1 copy) dating from 1835-1850, including the Manchester Atheneum (1836-1839), the Italianate Trentham Hall in Staffordshire (1934-1949), the Houses of Parliament (1836) in London at Westminster (elevations, perspective and details) and the Reform Club in London (1837-1841).
Le fonds contient les dessins de six projets (18 originaux et 1 copie), notamment le Manchester Atheneum (1836-1839), le Italianate Trentham Hall de Staffordshire (1834-1849), le Parlement de Londres (1836) à Westminster (élévations, perspectives et détails) et le Reform Club de Londres (1837-1841).
Locock's correspondence consists of letters from Richard Garnett, William Michael Rossetti, E. Dowden, H.B. Forman, I.C. Shelley, G.E. Woodberry and others concerning the text of Shelley's poems and Locock's edition.
Moyse's private papers consist largely of correspondence, and fall into four subject-areas: finance, associations and philanthrophy, literature and personal affairs. Financial papers consist of invoices for purchases, papers and correspondence regarding property purchases and taxes, and customs and shipping notices. Moyse's memberships in associations, particularly cricket clubs, is documented by correspondence and invoices for dues, as are his contributions to organizations such as the Y.M.C.A. and various hopitals. Literary correspondence concerns his own publications of fiction, as well as the publication ventures of others. Some are covering letters for manuscripts submitted for his criticism. Finally, his personal correspondence contain letters from Canadian and English friends, as well as McGill colleagues. Letters to Mrs. Moyse from their two sons describe their experience on active service during World War I.
The fonds consists of Dr. Roland's files principally in relationship to his research on Sir William Osler and to his activities in the American Osler Society
